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Malawi takes a giant leap towards economic recovery

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By Burnett Munthali

Right Honorable Vice President Jane Ansah attended the official opening of the 2026/2027 budgeting meeting, where President Arthur Peter Mutharika unveiled a bold economic rescue plan.

The plan focuses on stabilization, reform, and people-centered development, aiming to address the country’s pressing challenges, including hunger, inflation, and looted resources.

President Mutharika emphasized that the crisis is not irreversible and announced measures to restore discipline in public sector management, stimulate growth, and improve macroeconomic stability.

Mutharika at Parliament



Inflation is projected to fall below 21% in 2026, and economic growth is expected to rise to 3.8% in 2026 and 4.9% in 2027.

The plan outlines initiatives to boost agriculture, industry, tourism, energy, and infrastructure development.

In his address, President Mutharika called for unity, justice, and shared responsibility in rebuilding Malawi, warning that corruption will not be tolerated and declaring “no sacred cows” under his administration.

The budgeting meeting, held on Friday, February 13, marked a significant step towards implementing the government’s economic rescue plan.

With the support of Vice President Jane Ansah and the entire government, Malawi is poised to overcome its challenges and emerge stronger.

Ansah

Man, 35, arrested for K104m robbery, abduction in Lilongwe

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By Rahim Abdul

Lilongwe Police Station has arrested Brighton Ngalonde,aged 35, on suspicion of robbery and abduction involving K104 million belonging to a Chinese national.

According to Lilongwe Police Spokesperson Inspector Hestings Chigalu,the incident occurred at a certain hotel in the capital at around 15:00 hours on June 24, 2025.

On the said day, Ngalonde and three accomplices who are still at large lured the victim by promising to exchange Malawian currency for United States dollars.

Brighton Ngalonde



Upon meeting at the hotel carpark, the suspects allegedly invited the victim into their BMW vehicle to conduct business negotiations.

During the discussion, two other suspects suddenly appeared from another car, snatched the victim’s car keys and threatened to shoot him with what appeared to be a pistol if he resisted.

The suspects then accessed the victim’s vehicle and stole cash amounting to K104 million.

After the robbery, the suspects forcibly took the victim in their car and later dumped him in Area 47 before fleeing the scene.

Ngalonde, popularly known as “Bizzo,” was later arrested in Area 49. Police investigations further established that the BMW used in the crime belongs to the suspect.

Meanwhile, Lilongwe Police detectives have intensified a manhunt for the remaining three accomplices.

Ngalonde, who hails from Chisemphere Village under Traditional Authority Chisemphere in Kasungu District, is expected to appear in court soon to answer charges of robbery and abduction.

Thomas Partey faces additional charges as November trial looms

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By Rahim Abdul

Ghanaian international footballer Thomas Partey is facing fresh legal challenges after being charged with two additional counts of rape, further complicating an already high profile case against the former Arsenal midfielder.

The new charges come months after Partey had already appeared in court to answer to previous allegations involving multiple women. Prosecutors allege that the additional counts relate to separate incidents, expanding the scope of the case that has drawn significant public attention.

Earlier proceedings saw Partey formally charged with raping two women and sexually assaulting a third. He appeared before the court and firmly denied all the allegations brought against him.

Partey


The 32 year old midfielder has maintained his innocence from the outset, entering not guilty pleas during earlier court appearances. His legal team has indicated that he intends to contest the charges in full when the matter proceeds to trial.

The case has sent shockwaves through the football community, particularly among supporters who watched Partey rise to prominence both at club level and on the international stage with Ghana.

Having previously played for Arsenal in the English Premier League, Partey was regarded as a commanding presence in midfield. His performances for both club and country earned him widespread recognition before his career became overshadowed by legal troubles.

Despite the seriousness of the allegations, Partey remains entitled to the presumption of innocence under the law.

The charges represent accusations that must be tested in court.
According to court schedules, Partey is expected to face trial in November this year. The proceedings are anticipated to attract significant media coverage due to his profile as an international football figure.

The Crown Prosecution authorities have stated that the decision to bring further charges followed a review of evidence submitted by investigators.
The process reflects ongoing investigations rather than a concluded judgment.

Partey has continued with his professional career while on bail, subject to conditions set by the court. Such conditions typically include restrictions on contact with complainants and travel notifications.

The case has sparked broader discussions about accountability, due process, and the responsibilities of public figures. Advocacy groups have emphasized the importance of allowing the legal system to operate independently and fairly.
At the same time, supporters of the player have urged the public not to rush to conclusions before the court delivers its verdict.

WAFCON hosting debate deepens amid conflicting reports

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By Rahim Abdul

Uncertainty continues to surround the hosting rights of the 2026 Women’s Africa Cup of Nations (WAFCON) following reports that CAF President Patrice Motsepe has revisited an earlier position on the tournament venue.

The confusion began after claims surfaced suggesting that South Africa could take over hosting duties from Morocco, sparking widespread discussion across African football circles.

However, more recent developments indicate that Morocco remains in contention to stage the prestigious women’s football tournament, raising questions about whether any official change was ever finalized.

Patrice Motsepe



The Confederation of African Football (CAF), which oversees football on the continent, has yet to release a detailed statement clearly confirming a switch in host nation.

Morocco had originally been awarded the rights to host the 2026 edition, building on its growing reputation as a major destination for continental and international football events.

The North African country has in recent years strengthened its sporting infrastructure, successfully organizing major competitions and positioning itself as a reliable host for high profile tournaments.

On the other hand, South Africa is widely recognized for its experience in staging large sporting events and has the facilities necessary to host a tournament of WAFCON’s magnitude if called upon.

Reports indicating that South Africa was ready to step in fueled speculation that Morocco may have withdrawn, although no formal withdrawal has been officially confirmed by CAF.

The mixed signals have left national teams, sponsors and supporters seeking clarity, as preparations for the tournament depend heavily on knowing the confirmed host country.

WAFCON remains Africa’s premier women’s football championship, showcasing the continent’s top national teams and serving as a pathway to global competitions.

Until an official announcement is made, the focus remains on ensuring that the 2026 Women’s Africa Cup of Nations proceeds smoothly, whether it ultimately takes place in Morocco or another capable host nation.

Chimwemwe Phiri’s “Mama Malawi” Sparks National Reflection on Hunger and Leadership


By Rahim Abdul

Malawian musician Chimwemwe Phiri, who is currently based in South Africa, has stepped into the national spotlight with a powerful new release titled “Mama Malawi,” a song that boldly confronts the country’s ongoing socio economic and environmental struggles.

In the emotionally charged track, Phiri shines a light on the harsh realities affecting many Malawians, including persistent food insecurity and the devastating impact of recurring natural disasters. The song serves as both a lament and a call to action.

Produced in Cape Town and performed in Tumbuka, the song reflects Phiri’s roots in Mzimba District while carrying a message meant for the entire nation. At 45, the artist uses his experience and voice to articulate the frustrations felt by many citizens.

Through heartfelt lyrics, Phiri addresses the worsening food shortages that have left countless families vulnerable.

He paints a vivid picture of communities grappling with hunger as harvests continue to decline.

The musician points to climate change as a major factor behind the country’s challenges.

Chimwemwe Phiri



According to him, erratic rainfall patterns and climate related disruptions are contributing to poor crop yields year after year.

He emphasizes that vulnerable groups, particularly children, are bearing the brunt of these hardships.

The song underscores the urgency of finding lasting solutions to protect future generations.
Phiri believes Malawi’s abundant water resources could be part of the answer.

Speaking from South Africa, he argues that the country should strategically invest in irrigation farming to reduce dependence on unpredictable rainfall.

He suggests that expanding irrigation could provide a sustainable pathway toward food security and shield farmers from the effects of climate change. In his view, practical solutions must accompany national conversations.

Beyond environmental concerns, “Mama Malawi” also takes aim at governance and leadership. The song challenges those in authority to confront the country’s difficulties with honesty and responsibility.

Phiri calls on leaders to acknowledge shortcomings and embrace wisdom in decision making.

He stresses that accountability is essential if Malawi is to move toward stability and prosperity.

The track does not merely criticize but encourages reflection and unity. It urges Malawians, both leaders and citizens, to work collectively toward meaningful change.

With “Mama Malawi,” Chimwemwe Phiri proves that music remains a powerful tool for social commentary. His latest release stands as a reminder that art can amplify the voices of the people and inspire a renewed commitment to building a stronger nation.